Matt Goldberg has been an editor with Collider since 2007. As the site's Chief Film Critic, he has authored hundreds of reviews and covered major film festivals including the Toronto International ...

“Computer Chess” may be the strangest — and most wondrous — film of the year so far, and its director, Andrew Bujalski, doesn’t think it has much to do with chess. The film takes place at an ...

Director Andrew Bujalski talks about capturing an authentic vintage geek look and casting real tech heads in his fourth feature. Andrew Bujalski is neither a computer whiz nor a chess genius. “I was ...

There is an immediate sense of change afoot in “Computer Chess,” Andrew Bujalski‘s fourth feature as writer-director, visible to anyone familiar with his previous work. While Bujalski’s influential ...

"Don't you think it's strange that we're all here at the same time?" Kino Lorber has debuted the full trailer for their B&W indie Computer Chess, which premiered at Sundance this year and won the ...

Back before computer nerds (and the artificial intelligence they created) inherited the earth, these pasty-faced programmers seemed like little more than socially awkward A/V geeks who had graduated ...

As computers get better at chess, their games look more human. Their moves seem more connected to known strategic plans, and when they aren’t, the logic can still often be discerned by experts. But ...

All products featured on WIRED are independently selected by our editors. However, we may receive compensation from retailers and/or from purchases of products through these links. Andrew Bujalski’s ...

Battle of the 1990s Remember the two tournaments, Garry Kasparov versus Deep Blue? Surely you do. Those 1996 and 1997 events were the most publicized chess games of our time, save for the Cold War ...

Twenty-four years ago on Monday, a world chess champion came up against a force too great to overcome: a computer. Garry Kasparov lost the first game of a six-game match on February 10, 1996, against ...

An endearingly nutty, proudly analog tribute to the ultra-nerdy innovators of yesteryear, this quasi-mockumentary is easy to admire in spirit even when its haphazard construction practically defines ...